Finance Derivative covers DataArt’s 2018 year-end results, including the company's record $140 million in annual revenue. The year was marked by the acquisition of major new clients, the hiring of prominent industry leaders, taking first prize at the world’s largest blockchain hackathon, and securing a private equity investment.
Information Age speaks with industry experts about digital transformation and its longevity, as a term and as a concept. Dmitry Bagrov, Managing Director at DataArt UK, argues that the process of adaptation to change will prevail, while terms to describe it are likely to evolve.
Incentive Travel picks up the announcement that DataArt's Travel & Hospitality Practice will exhibit at Travel Technology Europe (TTE) in London on February 20-21, 2019.
In TechRadar, Sergey Bludov, SVP of Media and Entertainment at DataArt, discusses the reasons for the cloud becoming more popular over local storage and the ways media and entertainment companies are benefitting from cloud computing.
In Virtual Reality Pop, Sergey Bludov, SVP of Media and Entertainment at DataArt, discusses practical use cases for augmented reality (AR) and virtual reality (VR) in the music industry.
Making the pension gap visible: it-finanzmagazin.de describes the VR AltersvorsorgeCockpit app, a customer-focused project of German insurers R+V, Union Investment, and Schwäbisch‑Hall. The app was developed in collaboration with DataArt.
In the January edition of the iGaming Business Magazine, Russell Karp, VP of Media and Entertainment at DataArt, examines the European betting model and discovers that there are more barriers to its adoption by the US operators than might at first appear.